Equity calls for 'unprecedented' strike action at WNO
Florence Lockheart
Monday, September 9, 2024
The performing arts and entertainment union has called strike action for the same day as planned strikes within the Welsh National Opera orchestra
Performing arts and entertainment union Equity has today announced strike action at Welsh National Opera (WNO). The industrial action, which will be actioned by Equity members in the WNO Chorus and staff, will hit the opening night of the company’s Rigoletto on 21 September.
The announcement of strike action follows a 93% yes vote in a ballot of chorus members received yesterday (5 September). All 30 of the WNO chorus singers are Equity members and 100% took part in the ballot. This strike action is response to WNO management’s proposals to cut the size and hours of the chorus, with singers facing a 15% pay cut and the real threat of compulsory redundancies. Equity is calling for full time wages, a full-time chorus, and no compulsory redundancies.
Equity general secretary Paul W Fleming said: ‘Taking strike action is unprecedented among the Welsh National Opera chorus and it’s not a decision taken lightly. Singers are not prepared to be cast aside in management proposals which would catastrophically harm this Welsh cultural icon. WNO needs to realise that the chorus is a key asset and come to the negotiating table so we can agree a way forwards that works for the WNO, the chorus and future productions.’
Further strike dates are set to hit Il Trittico (29 September) and Opera Favourites at the Movies (11 October). Equity members are considering further industrial action dates if progress is not made in talks.
Action short of strike has also been called to run continuously from 21 September to 6 December. This action will mean protest during rehearsals, performances, intervals, curtain calls and pre-performance which could include leafleting, speeches and the non-wearing of required costume, wigs or make-up or concert dress at performances (to be replaced by protest t-shirts).
This article originally appeared on classical-music.uk