The Listening Room: Episode 69 (3.05.19)
The Listening Room
Friday, May 3, 2019
The inspiring Mirga Gražinytė-Tyla adorns the front cover of the latest Gramophone and inside she talks about performing the music of Mieczysław Weinberg – well, here are the fruits of those recording sessions that saw Gidion Kremer’s Kremerata Baltica teaming up with the CBSO. Powerful music, magnificently done! At 32, Gražinytė-Tyla is still young and this week’s playlist celebrates youth – Nimrod Borenstein’s delightful piano suite reminisces on childhood – and maturity – the elderly Richard Strauss writing the gorgeous Duett-Concertino for bassoon and clarinet. Janáček enjoyed a remarkable Indian Summer and his First String Quartet, Kreutzer Sonata, is one of his most enduring works and now a staple of the quartet repertoire. The magnificent Belcea Quartet play with powerful intensity.
György Kurtág is 93 and one of his haunting wind duos, Rozsnyai Ilona in memoriam (1998), receives a moving performance from oboist Heinz Holliger and bass clarinettist Ernesto Molinari (Holliger, as conductor, also features this week in the fine Overture to Schubert's opera Fierrabras, a work championed by Claudio Abbado).
Also in the youth camp is Martin James Bartlett, keyboard finalist in the 2014 BBC Young Musician of the Year Competition. From his thoughtfully programmed debut album ‘Love and Death’ I’ve taken the trio of Liszt Petrarch sonnets. And combining youth and maturity, Stephen Cleobury directs the Choir of King’s College Cambridge in Herbert Howells’s Magnificat, from what must surely be his last recording with the choir he’s directed since 1982.
New music this week embraces the Guitar Concerto by Jonathan Leshnoff, a Baltimore-based composer, whose music clearly strikes a chord with audiences today. The concerto is charming, lyrical and beautifully performed on this new Naxos release.
Baroquerie dips into two simultaneously released albums by Ensemble Diderot and Johannes Pramsohler, one London-focused (music by Johann Gottfried Keller), one Paris-focused (music by Sébastien de Brossard), and both full of good things, and I’ve a Ground by Gottfried Finger from recorder-player Maurice Steger and La Cetra. Other treats include Wagner’s Parsifal Prelude from the magnificent Gewandhausorchester and Andris Nelsons, and a charmer by Elgar played by the Berlin Phil’s Albrecht Mayer.
Listen on Apple Music and Spotify
Wagner Parsifal – Prelude
Gewandhausorchester / Andris Nelsons (DG)
Howells Magnficat
Choir of King's College, Cambridge; Britten Sinfonia / Stephen Cleobury (King's College) PRE-RELEASE TRACK
Kurtág Rozsnyai Ilona in memoriam
Heinz Holliger; Ernesto Molinari (ECM New Series) PRE-RELEASE TRACK
Weinberg Symphony No 2 for String Orchestra
Kremerata Baltica; City of Birmingham Symphony Orchestra / Mirga Gražinytė-Tyla (DG)
Borenstein Reminiscences of Childhood
Nadav Hertzka (Skarbo)
Janáček String Quartet No 1, 'Kreutzer Sonata'
Belcea Quartet (Alpha Classics)
R Strauss Duett-Concertino
Julie Price; BBC Symphony Orchestra / Michael Collins (Chandos)
Liszt Années de pèlerinage, Deuxième année, 'Italie' – Sonetto 47 del Petrarca; Sonetto 104 del Petrarca; Sonetto 123 del Petrarca
Martin James Bartlett (Warner Classics)
Keller Ciacconna in G
Ensemble Diderot; Johannes Pramsohler (Audax)
Leshnoff Guitar Concerto
Jason Vieaux; Nashville Symphony Orchestra / Giancarlo Guerrero (Naxos)
Finger A Ground in D minor
La Cetra / Maurice Steger (Harmonia Mundi)
Schubert Fierrabras – Overture
Kammerorchester Basel / Heinz Holliger (Sony Classical)
Brossard Sonata in A minor, 'Detta la Primogenito'
Ensemble Diderot; Johannes Pramsohler (Audax)
Elgar (arr Jacob) Soliloquy for Oboe and Orchestra
Albrecht Mayer; Bamberg Symphony Orchestra / Jakub Hrůša (DG) PRE-RELEASE TRACK